Atomos 7″ Shogun Ultra Monitor-Recorder
1,170.00 USD
Atomos 7″ Shogun Ultra Monitor-Recorder
- 7″ 1920 x 1080 Touchscreen
- Records up to 8K Apple ProRes Raw
- ProRes Raw + H.265 Dual Recording
- Optional NDI 4K TX Pro Mode 1-Off
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Description
Atomos 7″ Shogun Ultra Monitor-Recorder
| Specification | |
| Physical | |
| Dimensions (W x H x D mm) | 198mm x 133mm x 40mm / 7.8″ x 5.2″ x 1.57″ |
| Weight | 730g / 1.6 lbs |
| Mounting Points | Top: 1 x 1/4″20 or 3/8″ with anti rotational points, Bottom: 1 x 1/4″20 or 3/8″ with anti rotational points, Right: 1 x 1/4″20 or 3/8″ with anti rotational points |
| Environmental | |
| Ambient operating temperature | Up to 40 Degrees Celsius |
| Construction | |
| Body | Aluminium Alloy Chassis with ABS Polycarbonate Rear Enclosure |
| Cooling | Heat Sink + Actively controlled Fan |
| Tally light | LED on the Rear of the Device |
| Multi-Function Button | Power / Lock Screen |
| Touch Screen | Capacitive Touch |
| Power | |
| Input Voltage | 6.2V to 16.8V |
| Compatible Batteries | 1 x NP-F / L-Series |
| DC in Connector | Locking DC Jack (5.5mm OD & 2.1mm ID) |
| D-Tap | Via optional D-Tap to DC-Barrel cable |
| Fan Control | Low, Medium, Auto / Turbo Cool / Dim Display |
| Display | |
| Display Panel | SuperAtom IPS Panel (Capacitive Touch) |
| Size | 7″ |
| Resolution | 1920 x 1200 (1920 x 1080 Image Display) |
| Viewing Angle | 178 + H & V |
| PPI | 325 |
| Bit Depth | 10-Bit (8+2 FRC) |
| Backlight Type | Edge-Lit |
| Brightness (cd/m² / nits) | 2000nit +/- 10% |
| Aspect ratio | 16:10 (16:9 Image Display) |
| Color Gamut | Rec.709 |
| Calibration Support | ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus |
| Color Pipeline | |
| Gamma | Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Arri LogC4, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log, Z CAM Z-Log2, Olympus OM-Log400 / Flat, Leica L-Log |
| Gamut | BT2020, DCI P3, PDCI P3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| 3D LUT Display | .Cube Format (17 & 33 points supported) |
| 3D LUT Output | Loop out |
| 3DLUT 50/50 | Via Compare Option in LUTs Menu |
| Monitoring Modes | Native / 709 / HLG / PQ / 3D LUT |
| HDR Output Conversion | Camera Log to HLG / PQ |
| Color Management | |
| Calibration | ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus |
| Display Controls | Backlight, Lift, Gamma, Gain |
| AtomHDR | Built-in Technical Log to HDR EOTF |
| 3D LUTs | Load.Cube files from SSD into 8 LUT Slots On-Device – Use for Monitoring, bake into Recordings (optional), or apply to HDMI / SDI Output Signals |
| Legalize | Full to Legal Range Conversion available via Input Menu |
| Video Input | |
| HDMI | 1 x HDMI 2.0 |
| SDI | 1 x 12G SDI |
| Bit Depth | 8/10-Bit for Video / up to 12-Bit for RAW |
| Video Chroma Subsampling | YCbCr 4:2:0 & 4:2:2 |
| HDR | HDMI Auto Detection |
| Metadata | |
| HDMI | RAW – White Balance, Exposure Index, Shutter Speed/Angle, Iris/F-Stop, ISO, Gamma, Gamut |
| SDI | File Name – Arri, Canon, RED, Sony. RAW – White Balance, Exposure Index, Shutter Speed/Angle, Iris/F-Stop, ISO, Gamma, Gamut |
| File Naming | |
| Standard | Scene/Shot/Take & Rolling Scene/Shot/Take |
| Via SDI | Auto-matched filenames from supported Arri, Canon, RED & Sony Cameras |
| Video Output | |
| HDMI | 1 x HDMI (2.0) |
| SDI Loop / Play Out | 1 x 12G SDI |
| Video Chroma Subsampling | 4:02:02 |
| Bit Depth | 10-Bit |
| HDR | Yes, with auto detection |
| Network | |
| Ethernet | 1GbE via RJ45 |
| Wi-Fi | Wi-Fi 6E |
| Wireless RF | AirGlu SYNC Timecode Network |
| Atomos Cloud | Capture to Cloud (AtomosEdit, Frame.io, Sony CI Media), Live Stream (Facebook, Twitch, YouTube, Custom RTMP), Atomos Live Production |
| Cellular | Connect to Hotspot via Wi-Fi |
| Web Streaming | |
| RTMP / S | Destination configured via Atomos Cloud Studio |
| Video Signal Conversion | |
| HDMI to SDI | Supported |
| SDI to HDMI | Supported |
| Audio In/Out | |
| Audio Quality | 24-Bit / 48kHz |
| Audio Codec | PCM |
| HDMI | 8ch 24-Bit, Input dependent |
| SDI | 12ch 24-Bit, Input dependent |
| Analog Audio In | 3.5mm Jack |
| Analogue Audio Out / Headphone Jack | 3.5mm Jack |
| Audio Input Delay | Frame Delay on Analog Input + Automatic Offset Calibration via AtomOS |
| Timecode / Sync | |
| HDMI Embedded | Supported |
| SDI Embedded | Supported |
| Time of Day | Supported |
| Wireless SYNC | AirGlu SYNC timecode network |
| RF Network Range | 300m |
| RF Frequency | Region dependent |
| Number of Channels | 12 RF channels per Region |
| Number of RF Clients | Region dependant |
| Bluetooth Network Range | 10-15m (Line of Sight) |
| Number of BT Clients | 2 Clients |
| Resolution and Frame Rates (Record, Monitor & Playback) | |
| 8K RAW | up to 8Kp30 via HDMI |
| 6K RAW | up to 6Kp60 via HDMI & 6Kp30 via SDI |
| 4K RAW | up to 4Kp120 via HDMI / SDI |
| 3.5K Anamorphic RAW | up to 3.5Kp60 via HDMI |
| 2K RAW | up to 2Kp240 via SDI |
| 4K DCI | up to 4Kp60 |
| 4K UHD | up to UHDp60 |
| 2K DCI 2048 x 1080 | up to 2Kp60 via SDI |
| FHD 1920 x 1080 Progressive | up to 1080p120 |
| FHD 1920 x 1080 PsF | Only via Pulldown to Progressive |
| FHD 1920 x 1080 Interlaced | 1080i50 / 1080i60 |
| 1280 x 720p | up to 720p60 |
| Recording Codecs | |
| Apple ProRes RAW | ProRes RAW & RAW HQ |
| Apple ProRes | HQ, 422, LT |
| Avid DNxHD | 220x, 220, 145, 36 (.MOV Wrapper – .MXF Support coming soon) |
| Avid DNxHR | HQX, HQ, SQ, LB (.MOV Wrapper – .MXF Support coming soon) |
| H.265 | XQ, HQ, MQ, LQ (.MOV Wrapper) |
| Recording Functions | |
| Camera to Cloud | H.265 uploaded to Atomos Edit, Adobe Frame.io, Sony CI Media |
| Simultaneous Proxy Recording | ProRes RAW / ProRes / DNx + H.265 Proxy in C2C Mode |
| Pre-roll Recording | 8s HD / 4K 2s |
| Timelapse | Supported |
| Gang Control | Via AirGlu SYNC Timecode Network |
| Scheduled Recording | At the specified Time of Day or after a specified Time has elapsed |
| Playback | |
| Playlist | Selected Clips, Favorites, or Combined |
| Loop | Supported, with user-customizable In / Out Markers |
| Apple ProRes RAW | Recorded clips only |
| Apple ProRes | HQ, 422, LT (Linear PCM Audio only) |
| Avid DNx | DNxHD: 220x, 220, 145, 36 – DNxHR HQX, HQ, SQ, LB (Linear PCM Audio only) |
| H.265 | Recorded clips only |
| Scheduled Playback | At the specified Time of Day or after a specified Time has elapsed |
| Supported Media | |
| Master Caddy I | Not Supported |
| Master Caddy II | Supported |
| Master Caddy III | Supported |
| SSDmini | Supported |
| CFast 2.0 | Supported via optional AtomX CFast 2.0 Adapter |
| Network | Capture to Cloud via Atomos Cloud Studio |
| File System | exFAT |
| Interface | SATA 3.0 |
| On-Screen Tools | |
| Waveform | 3 Sizes – Adjustable Opacity & Brightness |
| RGB Parade | 3 Sizes – Adjustable Opacity & Brightness |
| Vector Scope | 2 Sizes – Adjustable Opacity & Brightness |
| 1 x Zoom | Tap to Zoom |
| 2 x Zoom | Tap to Zoom |
| Focus Peaking | 3 Modes (Color, Black & White, Outline) with adjustable Outline Color & Peaking Intensity |
| Zebra | Adjustable Threshold (50% to 105%) |
| Isolate Color Channel | Blue Only |
| Cine Frame Guides | 6 Presets & Custom Frame Guide Calculator |
| Social Frame Guides | 4 Presets & Custom Frame Guide Calculator |
| Safe Areas | SMPTE Safe Title Area – 93% & 90% |
| Grid Markers | 9 Grid |
| Anamorphic Desqueeze | 2x, 1.8x, 1.79x, 1.65x, 1.6x, 1.5x, 1.33x, 1.25x |
| Display Flip | Vertical |
| Colorized Exposure | Atomos False Color, EL Zone System, Arri False Color |
| Frame Grab + Onion Skin Overlay | Capture lossless 1920 x 1080 pixel frame grab and overlay with various positions and transparency options. |
| Onboard Signal Processing | |
| 4K UHD Downscale for HD | Available on loop out |
| DCI Crop | Available on loop out |
| 8K RAW to 4K Video Loop Out | Available on loop out |
| Interlaced to Progressive | 2:2 & 3:2 Pulldown |
| PsF to Progressive | 2:2 & 3:2 Pulldown |
| Remote Control | |
| HDMI | Trigger Recording via Camera Record Button – Supported Protocols: Canon, Sony, Atomos Open Standard, Timecode (Rec Run) |
| SDI | Trigger Recording via Camera Record Button – Supported Protocols: Arri, Canon, Ikegami, JVC, Panasonic, RED, Sony, Timecode (Rec Run) (optional Atomos Connect Accessory required) |
| Serial 2.5mm Jack | Start & Stop Recording via compatible LANC Remotes – Calibration via optional USB to Serial Cable |
| Bluetooth LE | via AtomRemote App |
| Wireless RF | AirGlu Gang Control |
| External Device Control | |
| Serial 2.5mm Jack | Z CAM Camera Control via Remote to USB-C Cable |
| Cut & Tag | |
| FCP XML | Up to 10 Tags supported for each Clip |
| Supported Applications | |
| XML | Apple Final Cut Pro (.fcpxml) |
| Apple ProRes RAW | Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH, FilmLight Baselight |
| Video Codecs | All NLE applications that support Apple ProRes, Avid DNx, and H.265 in .MOV Wrapper |
| What’s in the box | |
| Box Contents | 1 x Shogun Ultra, 1 x USB-C PD to DC Adapter Cable, 1 x Master Caddy III, 1 x RF Antenna, 2 x Wi-Fi Antenna with Black Caps, 5 x Colored Antenna Cap, 3 x Antenna Mount Covers, 1 x 3.5mm Audio Jack to Jack Cable, 1 x Quick Start Guide |
| Optional Extras | AtomX Monitor Mount, AtomX Magic arm 10″ / 13″, USB-C Dock, PowerKit, HDMI Cables |
